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ALYEA REPLIES TO TOMNLN
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Tom Rossley
Wht ever happened to the
400 feet of film you took on 11/22/63? ? ?
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August 30, 2012
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Tom Alyea
Tom; I have written the
answer to your 400ft. question; I'll send it to
you when I get back home. I gotta go to Pryor OK
today. Corddially, Tom Alyea (ALL'yea)
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September 2, 2012
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Tom Alyea
Tom Rossley. “What ever happened to the 400 feet
of film I took of the TSBD Search?”
Good question. Nobody
has ever asked me this before.
I had filmed the search to the roof on 200 ft.
of film. I took several shot from this location.
The shots I took of the Sniper’s Nest were
recorded on the second reel. Capt. Fritz decided
to have a conference with the Search Team about
a continued search for the “ Sniper” by
searching the floors again, back down. The
suggestion was submitted about obtaining some
Flashlights to aid us in seeing into the dark
areas. The nearest source was at the Sheriff’s
Office a block away. Two men were dispatched to
The Sheriff’s Office to obtain them, and Capt.
Fritz said he and the group would wait on the
roof until they returned. I thought this would
be a good time for me to get my footage to one
of our reporters waiting outside. I took the
elevator down with the officers. They had
badges, and were allowed to exit the building,
but I stepped to the porch and gave my footage
to WFAA-TV reporter Art Sinclair, who raced this
first 200 ft. to the newsroom. The world saw the
sniper’s nest for the first time. It was all
silent film, with no copy attached. I turned and
went back onto the building with no challenge
from the guards. I rejoined Capt Fritz and the
search group again on the roof. Capt Fritz
became impatient waiting on the flashlights and
led us to the 7th floor and 6th to start our
downward search. Within a few minutes the
flashlights arrived and were distributed to some
of the officers. Within minutes, one of the
officers spotted about four inches of the end of
the rifle stock. The officer was on the North
side of a small circular enclosure of book
cartons, but the Rifle was hidden on the inside.
The Rifle could be seen only by looking over the
North side, over the overhanging boxes. I took a
shot of the officer who found the Rifle as he
singled to Capt. Fritz. When Fritz saw it, he
stopped the search and directed one of the
officers to go below and call the Crime Lab. It
took Lt. Day and Officer Studebaker from 12 to
15 minutes to arrive. During this wait, we were
informed that the President was dead. Finally
the two Crime Lab men stepped from the elevator,
just 20 ft. from where we had gathered at the
Rifle Site. I had filmed the partial vision of
the Rifle within seconds after it was found. I
still have this footage. I also filmed the
questionable activities of Lt. Day and
Studebaker in their efforts to record this
evidence. I still have this footage. When Lt.
Day started dusting the Rifle, Capt. Fritz
reached into the pocket and retrieved the three
shell casing he had taken from the Sniper’s Nest
and handed them to Studebaker, with the
instruction to include them in his photos he
would be taking of the Shooting Site at the
Southeast window, while Lt. Day dusted the Rifle
where it was found. We all watched Lt. Day dust
the Rifle as I filmed it. I still have photos of
this. Studebaker was alone at the Shooting Site.
He had not seen the original location of the
casings, so he tossed them on the floor, and
this is the photo that is recorded for history.
I was not able to cover both activities. Footage
containing the finding of the Rifle,
Photographing it, Dusting it, Fritz ejecting
round #4, Fritz and Ly. Day examining the dusted
rifle, etc, consumed most of my 3rd reel. Fritz
handed the Rifle back to Lt. Day and told him to
take it directly to his office at Police
Headquarters. When Capt. Fritz and a few
officers decided to leave, Capt. Fritz was
waiting for the elevator, just a few feet from
the Rifle Crime Scene. When the elevator
arrived, Mgr. Truly stepped out and give Fritz
the information about Oswald not returning from
lunch and could be a suspect. Unknown to
researchers, Fritz did not go directly to his
office. The two detectives accompanying Fritz
reported that the Captain ordered his driver to
go the Sheriff’s Office. The officers reported
that Fritz talked to Sheriff Bill Decker for
about 15 minutes before he got back into the car
and resumed his trip back to Police
Headquarters. The officers stated that they
stayed in the car during the time Fritz visited
with the Sheriff. They did not relate the
content of the conversation
.NOTE: Lt. Day never
saw the Snipers Nest until he returned with
Studebaker about 3:30 to shoot more photos and
look for additional evidence. But when he
arrived on the 6th floor, he found he was
surrounded by the press who had been
escorted to the 6th floor by the police to
record the crime scenes. I have photos of him
aiding the press in the location of the Rifle
Crime Scene. However in his testimony he
reported that the Press had entered the 6th
floor Saturday and disrupted much of the
evidence. The Press was soon asked to leave.
This was the only time the Press was in the
building. To my knowledge, the 6th floor was
empty Saturday and Sunday.
After Lt. Day left with the Rifle, I filmed
several scenes of activity by the Police,
including Studebaker dusting the Dr. Pepper
bottle. Shortly after 2:30, I left the floor to
get my footage to the station and televised. I
had no police badge and wasn’t allowed to leave.
I taped reel #3 and #4 together, and was able to
toss it to News Editor, A. J. L’Hoste who was
standing near the door. He raced it to the News
Room where it was processed and a few minutes
later it was shown to the world. The Rifle was
seen for the first time, plus scenes of Lt. Day
dusting it where it was found.
However, years
later, when I had an opportunity to watch a
re-run of these news shots, I didn’t see much of
the activity that was involved in processing the
bits of information regarding this important
find.
I was still in the building when my footage was
televised. I had no idea what was used in WFAA-TV’s
televised news report. It was weeks later that I
learned how little of my footage was used. I
have learned since, many more disturbing facts.
I have listed them in my Report, but they are
too lengthy to list here.
To answer your question, let me list the
following facts:
1). I don’t know for certain, who edited my film
that was televised while I was still in the TSBD.
Some of the footage was used in the make-up of a
News Reel, and televised. The same reel was sent
to ABC in New York. It is my understanding that
the FBI acquired a copy of the same small bit of
News Footage that hit the air.
2). Saturday, Nov. 23, 1963 I was concerned
about the discarded film on the editing room
floor. I checked it, and found much of my
footage had been discarded along with footage
from other newsmen. I asked the News Director to
save it; he said we didn’t have time. I located
some empty reels and searched the 4-inch pile of
footage. When I found a strip of film I had
shot, I spun it onto an empty reel, and crammed
it in my pocket. I didn’t have time to locate
all of my discarded footage before the custodian
returned and filled the trash container with the
remaining footage from the floor. I grabbed my
camera and recorded it. It can be seen in my
report. The footage I have is a collection of
filmstrips I salvaged from the Editing Room
floor.
3). Many key scenes went out the door in a trash
barrel, such as the long film strip of the
Sniper’s Nest, the Shooting Support boxes, the
Casings on the floor, and Capt. Fritz holding
the three casings in his hand. I have wondered
these many years if this was deliberate, or an
accident or bad editing; but it does not
interest the modern researcher, nor do the many
other facts that are unknown.
Best regards, Tom Alyea
Tom Alyea, "Facts and Photos"
From Connie Kritzberg's Secrets from the
Sixth Floor Window, pp. 39-46
I was the first newsman into the building
and the only newsman to accompany the search team as they went from
floor to floor searching for the person who fired the shots. At this
time, we did not know the president had been hit. I rushed in with a
group of plain clothesmen and a few uniformed officers. . . .
I [followed] the search team that was
on its way to the rear elevator, to start the floor by floor search. We
searched every floor, all the way to the roof. The gunman could have
still been in the building. Finding nothing, they started back down.
After approximately 18 minutes, they were joined by Captain Fritz, who
had first gone to Parkland Hospital.
The barricade on the sixth floor ran
parallel to the windows, extending in an "L" shape that ended against
the front wall between the first and second twin windows. The height of
the stack of boxes was a minimum of 5 ft. I looked over the barricade
and saw three shell casings laying on the floor in front of the second
window in the two window casement. They were scattered in an area that
could be covered by a bushel basket. They were located about half way
between the inside of the barricade. I set my lens focus at the
estimated distance from the camera to the floor and held the camera over
the top of the barricade and filmed them before anybody went into the
enclosure. I could not position my eye to the camera's view finder to
get the shot. After filming the casings with my wide angle lens, from a
height of 5 ft., I asked Captain Fritz, who was standing at my side, if
I could go behind the barricade and get a close-up shot of the casings.
He told me that it would be better if I got my shots from outside the
barricade. He then rounded the pile of boxes and entered the enclosure.
This was the first time anybody walked between the barricade and the
windows.
Fritz then walked to the casings,
picked them up and held them in his hand over the top of the boxes for
me to get a close-up shot of the evidence. I filmed about eight seconds
of a close-up shot of the shell casings in Captain Fritz's hand. I
stopped filming, and thanked him. I do not recall if he placed them in
his pocket or returned them back to the floor, because I was preoccupied
with recording other views of the crime scene. I have been asked many
times if I thought it was peculiar that the Captain of Homicide picked
up evidence with his hands. Actually, that was the first thought that
came to me when he did it, but I rationalized that he was the homicide
expert and no prints could be taken from spent shell casings. Therefore,
any photograph of shell casings taken after this, is staged and not
correct. It is highly doubtful that the shell casings that appear in
Dallas police photos of the crime scene are the same casings that were
found originally. The originals by this time were probably in a plastic
bag at police headquarters. Why? Probably this was a missing link in the
report the police department had to send to the FBI and they had to
stage it and the barricade box placement to complete their report and
photo records.
The position of the barricade, while
difficult to follow for one who was not there, is important because of
the difference in photographs seen today.
There are four different box
positions.
1) There was one box in the barricade
stack that was considerably higher than the others. This box is the one
that can be seen in the photos taken from outside the window by Tom
Dillard, because it was high enough to catch the sunlight and still be
seen from the ground below. It is not to be confused with the second box
set at an angle in the window sill, that was used as a brace for the
assassin's rifle.
2) A portion of this box can also be
seen in these same photos taken by Tom Dillard. It shows up in the lower
right hand corner of the picture.
3) Two boxes were stacked on the
floor, inside the window, to give arm support to the assassin. The top
box was one of the two boxes from which the crime lab lifted palm
prints.
4) The fourth box of importance was on
the floor behind the sniper location. Officers also lifted palm prints
from this box. It is suspected that the sniper sat on this box while he
waited for the motorcade to pass.
The positioning of boxes 2, 3, and 4
were recorded by the police crime lab. They are the only boxes involved
in the crime scene.
The actual positioning of the
barricade was never photographed by the police. It s actual positioning
is only on my movie footage, which was taken before the police started
dismantling the arrangement.
We all looked over the barricade to
see if the half open window with three boxes piled to form a shooting
rest for a gunman. One box was actually on the window sill, tilted at an
angle. There was a reason for this that I cover in my JFK Facts
newsletter. The shooting location consists of two windows set together
to form one single window. (The police photo showing the shell casings
laying next to the brick wall was staged later by crime lab people who
did not see the original positioning because they were not called upon
the scene until after the rifle was found nearly an hour later.) . . .
Only recently I saw a picture of Lt.
Day with a news still cameraman on the 6th floor. Day was shown pointing
to the location where the rifle was found. This was nearly 3:30 or
after. It was my understanding that Day and Studebaker had taken the
prints, rifle and homemade sack back to police headquarters. I
personally would like to know what they were doing back at the scene
unless it was to reconstruct shots they had failed to take during the
primary investigation. But this evidence had been destroyed and they
were forced to create their own version. The photo I have seen of the
barricade wasn't even close. I have also seen recently a police photo of
the assassin's lair taken from a high angle which indicates that it was
shot before the barricade box arrangement was destroyed, but it did not
show the barricade itself. This has no bearing on the case other than
the public has never seen the original placement. . . .
Police officers who claim they were on
the 6th floor when the assassin's window was found have reported that
they saw chicken bones at or near the site. One officer reported that he
saw chicken bones on the floor near the location. Another said he saw
chicken bones on the barricade boxes, while another reported that he saw
chicken bones on the box which was laying across the window sill. Some
of these officers have given testimony as to the location of the shell
casings. Their testimony differs and none of it is true. I have no idea
why they are clinging to these statements. They must have a reason.
Perhaps it is because they put it in a report and they must stick to it.
One officer stated that he found the
assassin's location at the 6th floor window. He went on to say that as
he and his fellow officers were leaving the building, he passed Captain
Fritz coming in. He said he stopped briefly to tell Captain Fritz that
he had found the assassin's lair at the 6th floor window. This seems
highly unlikely because Captain Fritz joined us on the 5th floor and
aided in the search. The chances are great that this, or these officers
heard the report, that stemmed from WFAA-TV's incorrect announcement
that the chicken bones were found on the 6th floor. This officer or
officers perhaps used this information to formulate their presence at
the scene. There were no chicken bones found on the 6th floor. We
covered every inch of it and I filmed everything that could possibly be
suspected as evidence. There definitely were no chicken bones were no
chicken bones on or near the barricade or boxes at the window. I shot
close-up shots of the entire area. The most outstanding puzzle as to why
these officers are sticking to this story is the fact they claim to have
found the sniper's location, then left the building, as they said to
join the investigators at the Tippit shooting location. I have never
seen a report that indicates they attempted to use any telephone in the
building in an attempt to notify other investigators. They just left the
scene to check another assignment, and by chance ran into Capt. Fritz
coming in the front door. They claim to have placed a detective at the
location but they did not relay their finding to any other officer
before they left the building. I presume that the alleged detective they
allegedly left at the scene was instructed to stand there until someone
else stumbled upon the scene, or they found time to report it after
investigating the Tippit scene. Sorry, it doesn't wash.
I do however know that Officer Mooney
was present when the rifle was found because I took film of him at the
scene. He is shown talking to another detective, but this was nearly an
hour after the sniper's location was found at the window. I have no idea
when he arrived. We ended up with more men than when we started. As they
joined us during the search the latecomers would bring us the latest
news of the president's condition. When Captain Fritz arrived 18 minutes
after we started, he brought news that both Governor Connally and the
president had been hit but by the time he left, the seriousness of their
wounds was unknown. Fritz left the hospital almost immediately when he
was notified that a search was underway in the Texas School Book
Depository for the sniper. We in the search team had no phones, radios
or TV sets. As I recall, we learned that the president was dead about
the time we found the rifle. I don't know who brought us this word.
Several officers arrived while we were waiting for Lt. Day. One of them
was Roger Craig, who is responsible for giving much misinformation to
the press. None of us were prepared to hear that the president's wound
was a fatal one. We thought perhaps it was a minor thing or possibly a
flesh wound. It was a stunning shock, and our attitude [towards] the
rifle had suddenly changed. We stared at the small portion of the butt
as it lay under the overhang boxes while we waited for Lt. Day to arrive
and recover the weapon that killed our president. . . .
We finished combing the 6th floor,
looking for the assassin or any other evidence. Finding nothing more at
this time Captain Fritz ordered all of us to the elevator and we started
searching the 7th floor and from there we went to the roof.
Nothing in the way of evidence was
found so we retraced our search back down, floor by floor. Shortly after
we arrived back on the 6th floor, Deputy Eugene Boone located the
assassin's rifle almost completely hidden by some overhanging boxes near
the stairwell. I filmed it as it was found. In my shot, the figure of
Captain Fritz is standing within the enclosure next to the rifle. He
knew then that the possibility of a fire fight with the sniper had
greatly diminished. He dispatched one of his men to go down and call for
the crime lab. About fifteen minutes later, Lt. Day and Studebaker
arrived. Still pictures were taken of the positioning of the rifle, then
Lt. Day slid it out from its hiding place and held it up for all of us
to see. The world has seen my shot of this many times. Lt. Day
immediately turned toward the window behind him and started dusting the
weapon for fingerprints. Day was still within the enclosure formed by
the surrounding boxes. I filmed him lifting prints from the rifle. He
lifted them off with scotch tape and placed them on little white cards.
When he had finished, he handed the rifle to Captain Fritz. Fritz pulled
the bolt back and a live round ejected and landed on the boxes below.
Fritz put the cartridge in his pocket. I did not see Fritz pick up
anything other than the live round. . . .
I filmed Captain Fritz talking with
associates in this dismantled area [the "sniper's nest"], along with
Studebaker, who was dusting the Dr. Pepper bottle which had been brought
up to him from the 5th floor. This is all recorded on my film. I never
learned if prints were lifted from the pop bottle. I'm not sure if
anybody ever asked.
I took the film from my camera, placed
it back into its metal can, wrapped the tape around it, and tossed it to
our News Editor, A. J. L'Hoste, who was waiting outside with the other
newsmen who were not allowed in the building. A. J. raced it to the
television station which was about three blocks away. About fifteen
minutes later the world saw the murder weapon, where it was found and
pictures of the crime lab people dusting it for fingerprints, and the
shell casings that once housed those bullets. They also saw how the
assassin prepared for his ambush and the view he had of the killing
zone.
Addendum #1
A correspondent asked Tom Alyea about the
accuracy of the above material and forwarded Alyea's response:
Thanks for sending me the material from
Connie Kritzberg's "Secrets from The Sixth Floor." I never read the
book. Many years ago she interviewed me about what I saw during the
search. I gave her some pictures to use in her story. This is the first
time I have seen the story. I regret to say that there are some
inaccuracies, which is to be expected in an interview. You must remember
that she was not on the sixth floor. She was at her desk in the city
room at the Dallas Times Herald newspaper. It is disjointed and out of
sequence, which makes it difficult to follow. This is often the case
when the interviewer asks the questions and was not at the scene. Connie
is a friend of mine, and a good reporter, but I did not see the final
draft before it went to press. There is always the possibility that I
failed to make my answers clear, and she derived a different meaning.
Please remember that these short statements contained little detail and
circumstances behind the situation.
I shall make a few corrections that I
feel are necessary to maintain accuracy:
Corrections:
The average height of the barricade
(Barricade #1) was four and a half feet. I don't know how high this
would be in the Metric scale.
My shot of the shell casings in Capt.
Fritz's hand was between three and four seconds.
(Important correction:) Take out the
sentence that starts with, "It is highly doubtful…"
My statement was that after Capt.
Fritz held the casing over the barricade for me to film, he turned to
examine the shooting support boxes on the windowsill. I couldn't see the
captain put the casings in his coat pocket because his coat pocket was
below the top of the barricade. He did not return them to the floor and
he did not have them in his hand when he was examining the shooting
support boxes. Over thirty minutes later, after the rifle was discovered
and the crime lab arrived, Capt. Fritz reached into his pocket and
handed the casings to Det. Studebaker to include in the photographs he
would take of the sniper's nest crime scene. We stayed at the rifle site
to watch Lt. Day dust the rifle. You have seen my footage of this.
Studebaker never saw the original placement of the casings so he tossed
them on the floor and photographed them. Det. Studebaker was alone at
this site until after Lt. Day left the building with the rifle. We in
the search team went to the sniper's site. Studebaker had already
photographed the casings on the floor and was busy dusting the pop
bottle when we arrived. The casings were no longer on the floor. I never
saw them again. The barricade had been completely dismantled and the
boxes from the West side of the barricade had been removed and placed in
various locations around the site. We did not realize at the time that
Studebaker had not recorded on film the original placement of the boxes
in the barricade. He also had removed the shooting support boxes on the
window ledge and stacked them one on top of the other on the floor
inside. He took a picture of this reconstructed arrangement. This is the
view researchers have of the shooting support boxes that were originally
on the brick window ledge. The corner of the outside box was positioned
over the lower window channel that tilted the box at an angle.
(Important correction)…Take out the
sentence that starts with, "I have also seen recently…"
This high angle photograph was taken
after the crime lab returned to the sixth floor three days later
'Monday, November, twenty-five. Capt. Fritz had seen the photographs and
had directed the crime lab to correct the shots of the window boxes and
the casings on the floor. He had seen the original placement and ordered
the crime lab to correct it. Neither Lt. Day nor Det. Studebaker had
seen the original placement, so they procured my film from the TV
station to get it right. The high angle shot (shots) were made to show
the original placement. Their reconstruction was close, but not exact.
However, they did not bring the casings with them so they did not make
the correction of the original placement of the shell casings.
(Important correction) Take out the
sentence that starts with :" I do however know that Officer Mooney…"
Mooney was a Sheriff's Deputy, not a
police officer. He did not arrive on the sixth floor until after the
rifle was found and the search was over.
(Important correction) Take out the
sentence that starts with, "He dispatched one of his men…"
Capt. Fritz did this after the
shooting site was discovered, with the instructions to have the crime
lab men wait on the first floor when they arrived. We were still looking
for an armed gunman. We had only found his shooting location. After the
rifle was found, Capt. Fritz sent one of his detectives down in the
elevator to bring up the crime lab, because it was obvious that the
sniper had escaped and the threat of a firefight was unlikely. The crime
lab is never called to a scene that has not been secured. I hope you
researcher friends will realize this when the read the police
testimonies where they place Lt. Day at the shooting site crime scene
while we in the search team were still searching for an armed sniper on
the same floor. They had a noble reason for giving this false testimony.
They wanted to protect their boss, Capt. Fritz from possible censure for
picking up the casings before the crime lab arrived and processed them.
The easiest way was to place Lt. Day at the scene before Capt. Fritz
arrived. All this is detailed in my report.
Addendum #2
From: Dale Myers (dmyers@rust.net)
Subject: Re: Tom Alyea on the sixth floor evidence
Newsgroups: alt.conspiracy.jfk
Date: 1999/07/04
As we all know, time alters
recollections. Case in point: compare Tom Alyea's more recent statements
(posted by Dave Reitzes) with his statement from December 19, 1963:
------------------------------[quote
on]
"...I ran on upstairs with the Secret
Service men. Then other units came in - the Riot Squad. I thought I was
going to film a gun fight. They ran to the 4th floor and I went with
them. Some of the other units went to the top of the building. They were
conducting a systematic search. It boiled down to the sixth floor. After
awhile it was obvious that the assassin was not in the building. They
looked for the gun. I filmed 400 ft. of film of the Secret Service men
looking for the assassin, climbing over boxes, over the rafters, and the
actual finding of the gun. At the time it was suspected that the
assassin had stayed quite a time there. There was a stack with a stack
of chicken bones on it. There was a Dr. Pepper bottle which they dusted
for fingerprints. The fingerprints were not Oswald's. You know how he
piled the boxes up? The gun was found across the length of the room from
where he fired. It was stashed between boxes. I had difficulty in
filming. They did not want me closeto the window or to the gun. I asked
permission to go to the window to film. A Secret Service man said, 'You
are close enough.' I asked the Secret Service man to take pictures of
the stashed gun. I set the camera but he wiggled the camera. I got a
picture of them taking the gun from the hiding place and dusting it for
fingerprints. After this the Crime Lab man, Captain Will Fritz - and I
have footage of this - pulled the bolt back and a live round came out.
They dusted the gun for fingerprints. This was my third camera. They
wouldn't let me out of the building and they wouldn't let anyone else
in. I never saw my film on the air because I had to get the film to
someone outside. This was the first film from there. We had Mal Couch's
film of the crowd but not of the President being hit. [How did you get
the film out?] There's a story for you. I actually handed it out through
the door but it had been publicized over the air and established
everywhere that I had thrown it out of the building through a window. I
hesitate to tell you the real story. I started to throw it out of the
building but being so close and knowing that we had the other film, I
wanted our station to be the first to show a film of the assassination.
A A.J. L'Hoste was under the window. I yelled out to him. In actuality I
tossed the film out the front door to Ron Reiland who had gotten back
from covering the apprehension of Oswald at the Texas Theater. This was
another ABC exclusive. There were 2 policemen at the Depository door.
They were not sure that I should get things outside. Ron was outside and
I was inside. One of the policemen there called a Lieutenant and while
they were calling him, I threw the film out....."
------------------------------[quote
off]
BELOW IS HOW DAVID VON PAIN (IN THE ASS) REPRODUCES IT ON HIS WEBSITE
! ! ! Tom Alyea, "Facts and Photos"From Connie
Kritzberg's Secrets from the Sixth Floor Window, pp. 39-46
I was the first newsman into the building and the only newsman
to accompany the search team as they went from floor to floor
searching for the person who fired the shots. At this time, we
did not know the president had been hit. I rushed in with a
group of plain clothesmen and a few uniformed officers. . . .
I [followed] the search team that was on its way to the rear
elevator, to start the floor by floor search. We searched every
floor, all the way to the roof. The gunman could have still been
in the building. Finding nothing, they started back down. After
approximately 18 minutes, they were joined by Captain Fritz, who
had first gone to Parkland Hospital.
The barricade on the sixth floor ran parallel to the windows,
extending in an "L" shape that ended against the front wall
between the first and second twin windows. The height of the
stack of boxes was a minimum of 5 ft. I looked over the
barricade and saw three shell casings laying on the floor in
front of the second window in the two window casement. They were
scattered in an area that could be covered by a bushel basket.
They were located about half way between the inside of the
barricade. I set my lens focus at the estimated distance from
the camera to the floor and held the camera over the top of the
barricade and filmed them before anybody went into the
enclosure. I could not position my eye to the camera's view
finder to get the shot. After filming the casings with my wide
angle lens, from a height of 5 ft., I asked Captain Fritz, who
was standing at my side, if I could go behind the barricade and
get a close-up shot of the casings. He told me that it would be
better if I got my shots from outside the barricade. He then
rounded the pile of boxes and entered the enclosure. This was
the first time anybody walked between the barricade and the
windows.
Fritz then walked to the casings, picked them up and held
them in his hand over the top of the boxes for me to get a
close-up shot of the evidence. I filmed about eight seconds of a
close-up shot of the shell casings in Captain Fritz's hand. I
stopped filming, and thanked him. I do not recall if he placed
them in his pocket or returned them back to the floor, because I
was preoccupied with recording other views of the crime scene. I
have been asked many times if I thought it was peculiar that the
Captain of Homicide picked up evidence with his hands. Actually,
that was the first thought that came to me when he did it, but I
rationalized that he was the homicide expert and no prints could
be taken from spent shell casings. Therefore, any photograph of
shell casings taken after this, is staged and not correct. It is
highly doubtful that the shell casings that appear in Dallas
police photos of the crime scene are the same casings that were
found originally. The originals by this time were probably in a
plastic bag at police headquarters. Why? Probably this was a
missing link in the report the police department had to send to
the FBI and they had to stage it and the barricade box placement
to complete their report and photo records.
The position of the barricade, while difficult to follow for
one who was not there, is important because of the difference in
photographs seen today.
There are four different box positions.
1) There was one box in the barricade stack that was
considerably higher than the others. This box is the one that
can be seen in the photos taken from outside the window by Tom
Dillard, because it was high enough to catch the sunlight and
still be seen from the ground below. It is not to be confused
with the second box set at an angle in the window sill, that was
used as a brace for the assassin's rifle.
2) A portion of this box can also be seen in these same
photos taken by Tom Dillard. It shows up in the lower right hand
corner of the picture.
3) Two boxes were stacked on the floor, inside the window, to
give arm support to the assassin. The top box was one of the two
boxes from which the crime lab lifted palm prints.
4) The fourth box of importance was on the floor behind the
sniper location. Officers also lifted palm prints from this box.
It is suspected that the sniper sat on this box while he waited
for the motorcade to pass.
The positioning of boxes 2, 3, and 4 were recorded by the
police crime lab. They are the only boxes involved in the crime
scene.
The actual positioning of the barricade was never
photographed by the police. It s actual positioning is only on
my movie footage, which was taken before the police started
dismantling the arrangement.
We all looked over the barricade to see if the half open
window with three boxes piled to form a shooting rest for a
gunman. One box was actually on the window sill, tilted at an
angle. There was a reason for this that I cover in my JFK Facts
newsletter. The shooting location consists of two windows set
together to form one single window. (The police photo showing
the shell casings laying next to the brick wall was staged later
by crime lab people who did not see the original positioning
because they were not called upon the scene until after the
rifle was found nearly an hour later.) . . .
Only recently I saw a picture of Lt. Day with a news still
cameraman on the 6th floor. Day was shown pointing to the
location where the rifle was found. This was nearly 3:30 or
after. It was my understanding that Day and Studebaker had taken
the prints, rifle and homemade sack back to police headquarters.
I personally would like to know what they were doing back at the
scene unless it was to reconstruct shots they had failed to take
during the primary investigation. But this evidence had been
destroyed and they were forced to create their own version. The
photo I have seen of the barricade wasn't even close. I have
also seen recently a police photo of the assassin's lair taken
from a high angle which indicates that it was shot before the
barricade box arrangement was destroyed, but it did not show the
barricade itself. This has no bearing on the case other than the
public has never seen the original placement. . . .
Police officers who claim they were on the 6th floor when the
assassin's window was found have reported that they saw chicken
bones at or near the site. One officer reported that he saw
chicken bones on the floor near the location. Another said he
saw chicken bones on the barricade boxes, while another reported
that he saw chicken bones on the box which was laying across the
window sill. Some of these officers have given testimony as to
the location of the shell casings. Their testimony differs and
none of it is true. I have no idea why they are clinging to
these statements. They must have a reason. Perhaps it is because
they put it in a report and they must stick to it.
One officer stated that he found the assassin's location at
the 6th floor window. He went on to say that as he and his
fellow officers were leaving the building, he passed Captain
Fritz coming in. He said he stopped briefly to tell Captain
Fritz that he had found the assassin's lair at the 6th floor
window. This seems highly unlikely because Captain Fritz joined
us on the 5th floor and aided in the search. The chances are
great that this, or these officers heard the report, that
stemmed from WFAA-TV's incorrect announcement that the chicken
bones were found on the 6th floor. This officer or officers
perhaps used this information to formulate their presence at the
scene. There were no chicken bones found on the 6th floor. We
covered every inch of it and I filmed everything that could
possibly be suspected as evidence. There definitely were no
chicken bones were no chicken bones on or near the barricade or
boxes at the window. I shot close-up shots of the entire area.
The most outstanding puzzle as to why these officers are
sticking to this story is the fact they claim to have found the
sniper's location, then left the building, as they said to join
the investigators at the Tippit shooting location. I have never
seen a report that indicates they attempted to use any telephone
in the building in an attempt to notify other investigators.
They just left the scene to check another assignment, and by
chance ran into Capt. Fritz coming in the front door. They claim
to have placed a detective at the location but they did not
relay their finding to any other officer before they left the
building. I presume that the alleged detective they allegedly
left at the scene was instructed to stand there until someone
else stumbled upon the scene, or they found time to report it
after investigating the Tippit scene. Sorry, it doesn't wash.
I do however know that Officer Mooney was present when the
rifle was found because I took film of him at the scene. He is
shown talking to another detective, but this was nearly an hour
after the sniper's location was found at the window. I have no
idea when he arrived. We ended up with more men than when we
started. As they joined us during the search the latecomers
would bring us the latest news of the president's condition.
When Captain Fritz arrived 18 minutes after we started, he
brought news that both Governor Connally and the president had
been hit but by the time he left, the seriousness of their
wounds was unknown. Fritz left the hospital almost immediately
when he was notified that a search was underway in the Texas
School Book Depository for the sniper. We in the search team had
no phones, radios or TV sets. As I recall, we learned that the
president was dead about the time we found the rifle. I don't
know who brought us this word. Several officers arrived while we
were waiting for Lt. Day. One of them was Roger Craig, who is
responsible for giving much misinformation to the press. None of
us were prepared to hear that the president's wound was a fatal
one. We thought perhaps it was a minor thing or possibly a flesh
wound. It was a stunning shock, and our attitude [towards] the
rifle had suddenly changed. We stared at the small portion of
the butt as it lay under the overhang boxes while we waited for
Lt. Day to arrive and recover the weapon that killed our
president. . . .
We finished combing the 6th floor, looking for the assassin
or any other evidence. Finding nothing more at this time Captain
Fritz ordered all of us to the elevator and we started searching
the 7th floor and from there we went to the roof.
Nothing in the way of evidence was found so we retraced our
search back down, floor by floor. Shortly after we arrived back
on the 6th floor, Deputy Eugene Boone located the assassin's
rifle almost completely hidden by some overhanging boxes near
the stairwell. I filmed it as it was found. In my shot, the
figure of Captain Fritz is standing within the enclosure next to
the rifle. He knew then that the possibility of a fire fight
with the sniper had greatly diminished. He dispatched one of his
men to go down and call for the crime lab. About fifteen minutes
later, Lt. Day and Studebaker arrived. Still pictures were taken
of the positioning of the rifle, then Lt. Day slid it out from
its hiding place and held it up for all of us to see. The world
has seen my shot of this many times. Lt. Day immediately turned
toward the window behind him and started dusting the weapon for
fingerprints. Day was still within the enclosure formed by the
surrounding boxes. I filmed him lifting prints from the rifle.
He lifted them off with scotch tape and placed them on little
white cards. When he had finished, he handed the rifle to
Captain Fritz. Fritz pulled the bolt back and a live round
ejected and landed on the boxes below. Fritz put the cartridge
in his pocket. I did not see Fritz pick up anything other than
the live round. . . .
I filmed Captain Fritz talking with associates in this
dismantled area [the "sniper's nest"], along with Studebaker,
who was dusting the Dr. Pepper bottle which had been brought up
to him from the 5th floor. This is all recorded on my film. I
never learned if prints were lifted from the pop bottle. I'm not
sure if anybody ever asked.
I took the film from my camera, placed it back into its metal
can, wrapped the tape around it, and tossed it to our News
Editor, A. J. L'Hoste, who was waiting outside with the other
newsmen who were not allowed in the building. A. J. raced it to
the television station which was about three blocks away. About
fifteen minutes later the world saw the murder weapon, where it
was found and pictures of the crime lab people dusting it for
fingerprints, and the shell casings that once housed those
bullets. They also saw how the assassin prepared for his ambush
and the view he had of the killing zone.
Addendum #1
A correspondent asked Tom Alyea about the accuracy of the above
material and forwarded Alyea's response:
Thanks for sending me the material from Connie Kritzberg's
"Secrets from The Sixth Floor." I never read the book. Many
years ago she interviewed me about what I saw during the search.
I gave her some pictures to use in her story. This is the first
time I have seen the story. I regret to say that there are some
inaccuracies, which is to be expected in an interview. You must
remember that she was not on the sixth floor. She was at her
desk in the city room at the Dallas Times Herald newspaper. It
is disjointed and out of sequence, which makes it difficult to
follow. This is often the case when the interviewer asks the
questions and was not at the scene. Connie is a friend of mine,
and a good reporter, but I did not see the final draft before it
went to press. There is always the possibility that I failed to
make my answers clear, and she derived a different meaning.
Please remember that these short statements contained little
detail and circumstances behind the situation.
I shall make a few corrections that I feel are necessary to
maintain accuracy:
Corrections:
The average height of the barricade (Barricade #1) was four
and a half feet. I don't know how high this would be in the
Metric scale.
My shot of the shell casings in Capt. Fritz's hand was
between three and four seconds.
(Important correction:) Take out the sentence that starts
with, "It is highly doubtful…"
My statement was that after Capt. Fritz held the casing over
the barricade for me to film, he turned to examine the shooting
support boxes on the windowsill. I couldn't see the captain put
the casings in his coat pocket because his coat pocket was below
the top of the barricade. He did not return them to the floor
and he did not have them in his hand when he was examining the
shooting support boxes. Over thirty minutes later, after the
rifle was discovered and the crime lab arrived, Capt. Fritz
reached into his pocket and handed the casings to Det.
Studebaker to include in the photographs he would take of the
sniper's nest crime scene. We stayed at the rifle site to watch
Lt. Day dust the rifle. You have seen my footage of this.
Studebaker never saw the original placement of the casings so he
tossed them on the floor and photographed them. Det. Studebaker
was alone at this site until after Lt. Day left the building
with the rifle. We in the search team went to the sniper's site.
Studebaker had already photographed the casings on the floor and
was busy dusting the pop bottle when we arrived. The casings
were no longer on the floor. I never saw them again. The
barricade had been completely dismantled and the boxes from the
West side of the barricade had been removed and placed in
various locations around the site. We did not realize at the
time that Studebaker had not recorded on film the original
placement of the boxes in the barricade. He also had removed the
shooting support boxes on the window ledge and stacked them one
on top of the other on the floor inside. He took a picture of
this reconstructed arrangement. This is the view researchers
have of the shooting support boxes that were originally on the
brick window ledge. The corner of the outside box was positioned
over the lower window channel that tilted the box at an angle.
(Important correction)…Take out the sentence that starts
with, "I have also seen recently…"
This high angle photograph was taken after the crime lab
returned to the sixth floor three days later 'Monday, November,
twenty-five. Capt. Fritz had seen the photographs and had
directed the crime lab to correct the shots of the window boxes
and the casings on the floor. He had seen the original placement
and ordered the crime lab to correct it. Neither Lt. Day nor
Det. Studebaker had seen the original placement, so they
procured my film from the TV station to get it right. The high
angle shot (shots) were made to show the original placement.
Their reconstruction was close, but not exact. However, they did
not bring the casings with them so they did not make the
correction of the original placement of the shell casings.
(Important correction) Take out the sentence that starts with
:" I do however know that Officer Mooney…"
Mooney was a Sheriff's Deputy, not a police officer. He did
not arrive on the sixth floor until after the rifle was found
and the search was over.
(Important correction) Take out the sentence that starts
with, "He dispatched one of his men…"
Capt. Fritz did this after the shooting site was discovered,
with the instructions to have the crime lab men wait on the
first floor when they arrived. We were still looking for an
armed gunman. We had only found his shooting location. After the
rifle was found, Capt. Fritz sent one of his detectives down in
the elevator to bring up the crime lab, because it was obvious
that the sniper had escaped and the threat of a firefight was
unlikely. The crime lab is never called to a scene that has not
been secured. I hope you researcher friends will realize this
when the read the police testimonies where they place Lt. Day at
the shooting site crime scene while we in the search team were
still searching for an armed sniper on the same floor. They had
a noble reason for giving this false testimony. They wanted to
protect their boss, Capt. Fritz from possible censure for
picking up the casings before the crime lab arrived and
processed them. The easiest way was to place Lt. Day at the
scene before Capt. Fritz arrived. All this is detailed in my
report.
Addendum #2
From: Dale Myers (dmyers@rust.net)
Subject: Re: Tom Alyea on the sixth floor evidence
Newsgroups: alt.conspiracy.jfk
Date: 1999/07/04
As we all know, time alters recollections. Case in point:
compare Tom Alyea's more recent statements (posted by Dave
Reitzes) with his statement from December 19, 1963:
------------------------------[quote on]
"...I ran on upstairs with the Secret Service men. Then other
units came in - the Riot Squad. I thought I was going to film a
gun fight. They ran to the 4th floor and I went with them. Some
of the other units went to the top of the building. They were
conducting a systematic search. It boiled down to the sixth
floor. After awhile it was obvious that the assassin was not in
the building. They looked for the gun. I filmed 400 ft. of film
of the Secret Service men looking for the assassin, climbing
over boxes, over the rafters, and the actual finding of the gun.
At the time it was suspected that the assassin had stayed quite
a time there. There was a stack with a stack of chicken bones on
it. There was a Dr. Pepper bottle which they dusted for
fingerprints. The fingerprints were not Oswald's. You know how
he piled the boxes up? The gun was found across the length of
the room from where he fired. It was stashed between boxes. I
had difficulty in filming. They did not want me closeto the
window or to the gun. I asked permission to go to the window to
film. A Secret Service man said, 'You are close enough.' I asked
the Secret Service man to take pictures of the stashed gun. I
set the camera but he wiggled the camera. I got a picture of
them taking the gun from the hiding place and dusting it for
fingerprints. After this the Crime Lab man, Captain Will Fritz -
and I have footage of this - pulled the bolt back and a live
round came out. They dusted the gun for fingerprints. This was
my third camera. They wouldn't let me out of the building and
they wouldn't let anyone else in. I never saw my film on the air
because I had to get the film to someone outside. This was the
first film from there. We had Mal Couch's film of the crowd but
not of the President being hit. [How did you get the film out?]
There's a story for you. I actually handed it out through the
door but it had been publicized over the air and established
everywhere that I had thrown it out of the building through a
window. I hesitate to tell you the real story. I started to
throw it out of the building but being so close and knowing that
we had the other film, I wanted our station to be the first to
show a film of the assassination. A A.J. L'Hoste was under the
window. I yelled out to him. In actuality I tossed the film out
the front door to Ron Reiland who had gotten back from covering
the apprehension of Oswald at the Texas Theater. This was
another ABC exclusive. There were 2 policemen at the Depository
door. They were not sure that I should get things outside. Ron
was outside and I was inside. One of the policemen there called
a Lieutenant and while they were calling him, I threw the film
out....."
------------------------------[quote off]
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